Music

Anecdotal Evidence, Jem Cohen

A musical portrait of Vic Chesnutt and co. recording the song, CHAIN. The piece was shot during the recording session for the album, At the Cut, at the Hotel2Tango studio in Montreal and includes appearances by musicians including Efrim Menuck, Guy Picciotto, Jessica Moss, and Chad Jones. CHAIN was written by Chesnutt after viewing Cohen's feature film of that name.

Lesser Apes

Lesser Apes tells the story of a love affair between a primatologist, Farrah and a female bonobo ape, Meema. Bonobos are the species with which humans share the most DNA, but unlike our species, they are matriarchal, live without conflict, and are unabashedly sexual. A paean to perversion, the film combines animation, live action and song to challenge attitudes about sex, language and our relationship to nature.

Hunch that Caused the Winning Streak and Fought the Doldrums Mightily, The

The interior was delusional like any visual psyche. The couches and plants, rugs and paintings were all in cahoots and up in arms over the cahootery. The explorers were under-qualified and cowardly.

inversion, transcription, evening track and attractor, the

"how looking at what has become the skeletons of photographs is a visual lecture on aesthetic pleasure or emotion. and how being, almost entirely denied of this pleasure, or having the pleasure merely suggested induces a viewer to ruminate on the act of viewing and that of wanting to view. and maybe it is evolution which causes this anxiety and art form."

A Party Record Packed with Sex and Sadness

A high & low fidelity record of obsessions past & present. A hooded man named Cobra Commander (drawn naked) and a boy with black glasses. A fanged woman named Shadow-La and a girl in a rose colored wig. Belinda (Heaven on Earth), Madonna (Live to Tell), and headphones (worn naked). An airport terminal. Home. The Montgomery Ward catalog circa 1980. That orange bedspread, that red flowered couch.

These Hammers Don't Hurt Us

Tired of underworld and overworld alike, Isis escourts her favorite son on their final curtain call down the Nile, leaving a neon wake of shattered tombs and sparkling sarcophagi.

-- Michael Robinson

Deborah Stratman, Kuyenda N'kubvina (Walking is Dancing)

Kuyenda N’kubvina looks at how thought and culture propagate in the slender nation of Malawi. Weaving our way through video halls, book stores, dance floors and radio stations, in cities and small villages, we meet Malawians who traffic in ideas, reflecting the rhythms of Malawian contemporary life. The video was instigated by the filmmaker’s relative ignorance about the people and culture of southeast Africa, and accompanies her as she seeks out individuals and infrastructures that channel and articulate Malawian identity.

Intensive Care, Hatice Güleryüz

Named after Hatice Güleryüz’s haunting short film, with its disturbing yet iconic images, this program presents unsettling situations narrated with both considerable emotional investment and critical distance. In her work Intensive Care, Güleryüz films a boy’s circumcision, then tilt’s up to the boy’s silent, angelic face. In another work, The First Ones, she films a group of school children singing the national anthem; a take on nationalism made with so much love.

(Posthume) (Posthumous), Ghassan Salhab

This program presents different approaches to looking at war, and to using images of war. My Friend Imad and the Taxi is an unfinished work from two amateur filmmakers, both passionate about film, who lived in Beirut in the eighties when the city looked like the set from a war film. Samir’s work looks at the intersection between (H)istory and (h)is story as lived at home.

John Cage Performs James Joyce

An extremely rare documentation of a private performance of John Cage, one of the leading avant-garde composers of the 20th century, who created "Writing for the Fifth Time through Finnegan's Wake" using I-Chin chance operation: Chinese fortune telling.  Here Cage performs in front of a video camera operated by Takahiko iimura, while he transforms the text of a modern literature classic by James Joyce into Cagian music in three ways: reading, singing and whispering.

The First Four Sorrows: Mike Kuchar

Performance artist and playwright Dan Carbone belts out four spooky songs in a room filled with mummy dusted lunacy.

amaurosis

amaurosis is an experimental documentary about Dat Nguyen, a blind guitarist living in Little Saigon, Orange County, California. Dat Nguyen was a "triple outcast": blind, Amerasian, and an impoverished orphan. His American father left Viet Nam in 1973, and his mother died in 1975. Living on the streets of Saigon, he sold lottery tickets for food money. At the age of 12, Dat met a classical music teacher who was also blind and who taught him to read Braille as well as supported him.

Only Just Begun

Mr. Thomas is in the back garden, performing his new moves in the glorious sunlight, making things happen. Somewhere between ritual, a white suburban war dance and 1970's "keep fit" exercise to lovely music, Mr. Thomas tries to coordinate with the Black Blob, that persistently undermines the nature of his representational space...

And the song goes:

We've only just begun to live

White lace and promises

A kiss for luck and we're on our way...

Tom Rubnitz Videoworks: Sexy, Wiggy, Desserty

Until his untimely death from AIDS in 1992, Tom Rubnitz produced short, humourous videotapes featuring some of New York’s most outrageously talented musicians, artists and drag queens. Influenced by mass media entertainment, Rubnitz crafted hilarious videos which simultaneously celebrated and parodied pop culture’s bountiful energy and inventiveness. As Tom said, “I wanted to make things beautiful, funny and positive—escapes that you could just get into and laugh through. That was really important to me.

Third Known Nest by Tom Kalin

"Third Known Nest is a collection of nine short works completed approximately one per year from 1991 to 1999. Interwoven with nine quotations from some of my favorite writers, the eighteen short entries in Third Known Nest function as an intimate visual diary—fractured pictures from my day-to-day life. I carried a Super-8 camera with me whenever and wherever I traveled, and also at home—just running errands or in the garden. I shot nearly a hundred fifty-foot reels of film.